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The phrase “magical realism” in the context of literature was first coined by the Cuban novelist Alejo Carpentier to describe the combination of the fantastic and everyday occurrences in Latin American fiction. Over time, the term has been vastly modified by writers from a plethora of backgrounds.
Magic realism Magic realism, chiefly Latin-American narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction.
Magical realism is a genre of fiction that blends elements of the extraordinary or miraculous with everyday life. It was made popular by Latin American writers in the 1940s, but it has been used by writers across cultures and time periods.
Presenting the first English translation of Franz Roh’s 1925 essay in which the term magical realism was coined, as well as Alejo Carpentier’s classic 1949 essay that introduced the concept of lo real maravilloso to the Americas, this anthology begins by tracing the foundations of magical realism from its origins in the art world to its current literary contexts. It offers a broad range of.
In the novel “Bless Me, Ultima”, the author depicts the various cultures of Antonio’s homeland through magical realism and symbolism. The character of Ulitma and the folk culture of the region represent magical realism.
McMullin, Stanley E. ''Adams Mad in Eden: Magic Realism as Hinterland Experiene,'' in Magic Realism and Canadian Literature: Essays and Stories. Eds. Hinchcliffe Peter and Jewinski Ed.
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